• Ryo Dōhin (呂洞賓, aka Lu Dongbin) from the series Sixteen Female Sennin Charming Creatures (<i>Enshi juroku josen</i> - 艶姿十六女仙)
  • Ichikawa Danjūrō VIII (八代目市川団十郎) as Soga Goro Takimune (曽我五郎時宗) on the right and Ichimura Takenojō V as Soga Juro Sukenari (曽我十郎祐成) on the left - the center and right panels of a triptych
  • Matsumoto Kōshirō V (松本幸四郎) as the robber Ishikawa Goemon (石川五右衛門) in the play <i>Sanmon gosan no kiri</i> [楼門五三桐]
  • Streetwalker (<i>Tsujigimi</i> - 辻君) from the series <i>Comparison of Present-day Beauties</i> (<i>Jisei bijin kurabe</i> - 時世美人競)
  • Li Gun, the Flying Deity (Hitentaisei Rikon - 飛天大聖季袞) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個) 
  • Tokojirō and Urazato the courtesan from 時次郎浦里 明烏夢の泡雪 (Tokojirō and Urazato dream of a light snow)
  • Ichikawa Omezō I as Yanone Gorō [矢の根五郎] in the lower right - the Weaver Maiden and the Ox Herder are in the  circle in the upper left
  • 3:00 AM (<i>Gozen sanji</i> - 午前三時) from the series <i>Scenes of the twenty-four hours parodied</i> (<i>Mitate chūya nijūoji no uchi</i> - 見立昼夜廿四時之内)
  • Seki Sanjūrō II (関三十郎) as the monkey trainer Sarumawashi Yojirō (猿廻し与二郎) - right-hand panel of a diptych
  • Keyblock for Fabric Pattern Series - two sides with contemporary proof

Welcome to The Lyon Collection!

Ukiyo-e Prints in the Mike Lyon Collection

Mike Lyon (artist b. 1951) was fortunate to have grown up familiar with Japanese prints. In his youth Lyon’s parents and grandparents displayed examples that certainly inspired his own artistic development. He began acquiring Japanese color woodcuts early in his career as an artist. The types of prints that feature most prominently among the many hundreds in Lyon's collection reflect the artist’s deep appreciation of the human figure and the expressive facial portrait. The vast majority of Japanese prints in the Lyon collection represent views of actors yakusha-e) and beautiful women (bijin-ga), and in particular the close-up, bust-length portraits of the same (okubi-e).

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