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Artist: Isoda Koryūsai (礒田湖龍斎)

Print: Dressed in white in the eight month (Hachigatsu shiromuku): Michiharu (道はる) of the Tsutaya (蔦屋内) from the series Models for Fashion: New Year Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyō - 雛形若菜の初模様)

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Dates: circa 1777 - 1778,created
Dimensions: 10.25 in,14.75 in,Overall dimensions
Medium: Japanese woodblock print
Inscription:

Signed: Koryūsai zu (湖龍斎圖)
Publisher: Nishimuraya Yohachi
Marks 391 - seal 16-054

Related links: Museum of Fine Arts, Boston; British Museum; Honolulu Museum of Art;

Physical description:

The curatorial notes on this print at the Honolulu Museum of Art reads: "The Tayü (leading courtesan) Michiharu of the brothel Tsutaya is depicted in a procession with three attendants. An inscription reading “White garments of the eighth month” suggests that it is summertime, which is exceptional for the series. As in the other prints from this famous series, the töröbin hairstyle of the beauties helps date the series to the second half of the 1770s. The obi (sash) shows the gorgeous design of a peacock. This series represents the pinnacle of Koryüsai’s artistic achievement. (from "VOGUE in Japan: Edo Fashion through Japanese prints" exhibition 07/30/08-)"

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Richard Lane in his 1978 Images from the Floating World gave a harsh assessment of Koryüsai’s Hinagata series. "The most renowned works of Koryüsai’s later years are his extended series of large prints featuring courtesans with their attendants. The best of these are effective compositions and impressive prints but they are hard to love. Gone is Harunobu's happy influence: these prints are characterized by a tendency toward sharp, often sometimes gross realism."

While Lane was following the lead of Seidlitz in criticizing this series at the end of the 19th century, others, including Hashiguchi Goyō praised this series. Allen Hockley devotes an entire chapter of his book on Koryüsai to his Hinagata series.

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Listed in Hockley, p. 231, #61.