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Artist: Utagawa Toyokuni I (初代歌川豊国)

Print: The New Plum Estate on the Sumida River
or Sumidagawa shin-Umeyashiki no zu
(隅田川新梅屋敷之図)

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Dates: circa 1810 - 1815,created
Dimensions: 30.0 in,14.25 in,Overall dimensions
Medium: Japanese color woodblock print
Inscription:

Signed: Toyokuni ga (豊国画)
Publisher: Nishimuraya Yohachi
(Marks 391 - seal 01-008)
Censor's seal: kiwame

Related links: Museum of Fine Arts, Boston - center and right panels only; Metropolitan Museum - left panel only; Edo Tokyo Museum; National Diet Library - commentary on a Hiroshige print of the same site;

Physical description:

There is a Hiroshige print, the Mukojima Hyakkaen, which is another name for this location. The National Diet Library tells us:

A garden created in 1804 when the antiques dealer Sahara Kiku'u gathered ume plum, susuki silver grass and other ancient Japanese trees and plants and built it in the remains of the residence of the Taga Clan, who were vassals of the Shogun. The name means Mukojima garden of all flowers and is said to have been given in the spirit of the quote by the late Edo Period artist Sakai Hoitsu, who said "the ume plum tree is the foremost of all flowers". Originally, 360 ume plum trees were the main feature, so it was called Shinumeyashiki (new Umeyashiki) in comparison to Kameido's Umeyashi. At present it is a garden run by the prefecture and is designated as a national historic relic and scenic spot.

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The curatorial records at the Met list their copy of the left panel of this triptych as being by Toyokuni I. The Museum of Fine Arts in Boston, which owns bright and fresh copies of the middle and right panels, panels which display fine colors with a striking pink background, say that these prints were designed by Toyokuni II. While the curatorial files of all major museums need careful scrutiny, frequent updating as new information is uncovered and the correction of past mistakes, we feel that stylistically this triptych in the Lyon Collection is closer to the work of Toyokuni I and a date ranging from 1810 to 1815.

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Illustrated in color in Ukiyo-e Masterpieces in European Collections 4: Victoria and Albert Museum I, #123.