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Artist: Utagawa Kunisada (歌川国貞) / Toyokuni III (三代豊国)

Print: Ichikawa Danjūrō VII (市川 團十郎) as Arajishi Otokonosuke (荒獅子男之助)
subduing a giant rat - from the play Date Kurabe Okuni Kabuki

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Dates: 1829,created
Dimensions: 10.0 in,14.375 in,Overall dimensions
Medium: Japanese woodblock print
Inscription:

Signed: Gototei Kunisada ga
五渡亭国貞画
Publisher: Mikawaya Seiemon (Marks 328 - seal 16-011)
Censor's seal: kiwame

Related links: Tokyo Metropolitan Library;

Physical description:

Here is some background for Otokonosuke:

Arajishi Otokonosuke is one of the most popular and iconic figures of the kabuki stage and hence the world of ukiyo prints. He is one of the most memorable figures from the play Meiboku Sendai Hagi or 'The Disputed Succession'.

Otokonosuke is determined to protect the life of his young lord, but is prevented from being in the same room as he. In the most dramatic moment in Act IV Otonosuke

"...has taken up a post below the floor of the boy's room. He is waiting there on the alert when he sees a large grey rat coming down through the floor carrying a roll of paper in its mouth. Otokonosuke puts his foot on the rat and tries to kill it with his iron fan. He wounds the beast on the head, but it wriggles away from him and escapes.

The rat vanishes in a cloud of white smoke and in its place is revealed Nikki Danjo, who has occult powers, clad in grey garments and with the document between his teeth. He has a fresh wound on his brow. He traces the character for 'rat' in the air with his finger.

Otokonosuke is powerless against him. Danjo goes off triumphantly having achieved his object of possession of the list of conspirators."

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There are at least three other prints in the Lyon Collection with Otokonosuke in them: #577 by a diptych by Hokushū; #779 by Toshihide; and #833 by Kuniyoshi.